4.29. <i>MYSTERY</i>. Author: Donald Christie. Technique: inks, oil paint, enamel, acid over fabric. Dimensions: 31.89 x 39.37 in.
6.23. <i>POLYMORPHIA</i>. Author: S˙. Technique: inks over paper, acids. Dimensions: 8.28 x 11.81 in.
7.20. <i>PHOENIX</i>. Author: Mateo Dalman. Technique: smoke, transfer over fabric. Dimensions: 51.57 x 39.37 in.
1.3. <i>NEOGOD III</i>. Author: Emerson Sheridan. Technique: infographics, transfer over vinyl, methacrylate. Dimensions: 78.74 x 39.37 in.
8.5. <i>PLEXIS</i>. Author: Bruno Heider. Technique: inks, acids, transfer over fabric. Dimensions: 55.51 x 41.34 in.
4.28. <i>MYSTERY</i>. Author: Donald Christie. Technique: inks, oil paint, enamel, acid over wood. Dimensions: 31.50 x 47.64 in.
10.10. <i>CHROMA</i>. Author: Andrei Stapleton. Technique: inks, infographics, transfer over vinyl. Dimensions: 39.37 x 65.35 in.
3.11. <i>ULLA XI</i>. Author: Ulla. Technique: infographics, transfer over paper. Dimensions: 8.28 x 5.91 in.
8.18. <i>PLEXIS</i>. Author: Bruno Heider. Technique: inks, acids, transfer over fabric. Dimensions: 41.34 x 42.91 in.
8.14. <i>PLEXIS</i>. Author: Bruno Heider. Technique: inks, acids, transfer over fabric. Dimensions: 55.91 x 41.34 in.
4.5. <i>MYSTERY</i>. Author: Donald Christie. Technique: inks, oil paint, enamel, acid over fabric. Dimensions: 23.62 x 35.43 in.
2.3. <i>MILKINESS</i>. Author: Chi˝a da Brea. Technique: pigments and casein over fabric. Dimensions: 24.02 x 23.62 in.
11.15. <i>METHATHEME</i>. Author: Woo Lin. Technique: inks, acids, graphite over paper. Dimensions: 16.54 x 12.20 in.
3.21. <i>ULLA XXI</i>. Author: Ulla. Technique: infographics, transfer over paper. Dimensions: 8.28 x 5.91 in.

 ARTECSTASY

 

 

And, why ARTECSTASY?


It is written on plaques low on the rocks…

“also it is simple resonance of glass…”



Artecstasy, art of AristocratsBeggars, is the sign-revelation of the immanente NeoMixture.

“…Suave modulation… before the concept and at the same word.”

Eyes, ears, touch… the Body.
Thought, meditation, sentiment… the Mind.
Color, sound, line and point, word and letter, dance… the Art(s).
The body, the mind… the Being. The Being in gesture: Artecstasy: the Gesture of the being that is and is not: impossible gesture of Mystery that although it is here, now, already: Art of Mystery: Aesthetic Mystery of the Immanent NeoMixture.

A static Being and a Being in verbal action that corresponds to movement and the stasis of a vibration…
an encounter in which the Being samples himself in plain knowledge and plain taste.
Here and Now the Mixtic of the Immanence.
Here and Now…
Wave that reverberates from a yesterday until a beyond and that persists now although distinguished in each heartbeat…
it expands in the emptiness… even more.the wave is deep emptiness [what more flexible?]…
a pulse that is devilgod- Neogod, which constructs and deconstructs with implacability and indifference, or with force and pain… so much it has which is the same.

An artist of this art: food of himself and cannibal of the external: an actor on stage and figure over background like background for figure another: I: I and the world: the world: the world and I.
I connective.






NeoMixture of the Immanence, so the life is life without pause, and also life without impasse. And what is now or never. The maximum and the minimum of what one aspires.

And it is the immanent respiration of the wave which is the profound peak of surface: from outside for inside and for outside from inside. Alive life breathed where life and death... in the air for each instant, death.
Being of Depth and of Surface.
Profound like the same ground, where the plaques [film: “Under the stones”],
where the Matter, where the Body lives from the aesthetic work
where Matter, that does not stain.

“White mystery in rite from coal on fire…, from frozen embers.
What is left of the time, without shape and that is not ruin?“

Without awards. Without racism of morality. Without judgements. Without beginnings. Without endings. Without justifications.
This is a presentation.

“Dissolved outlines in (depths?) of mud origin to final dry dust…“

Even further than the good and the bad, reunited the waters and the lands separated.
Like waves every shape. And the concepts like waves: expanding.
Open concepts, opening bodies, opening the thoughts and opening from the same matter.
Without endings. Without beginnings. Without causes nor consequences. Concepts wave. To Grow. To Meditate. And to be sublimely useless.

“from the land-bound to the cosmic… but it will make sense… of being.“

Here, in the hand that is real, is where we can open its interior: not there if it is already here.
The real and the concrete: art from the gesture: the door to everything wonderful: the Real Concrete.

“Only everything. Being.“

There is no middle. There is no end. There is Gesture.






Arte of Attitude in order to live in the Reality that is everywhere, in each point and instant in which the universe concentrates. Growing from the Attitude. Conscious control of the attitude. Autocreation and Autocontrol of serene ecstasy.
And in the gesture, the Conscience.

Art language of the integral experience. Inegral figure in poetic Mystery. Hardly audible because it is indescribable, but thunderous in sound.

If it returns to specify the wild…The wild that wants to be what it wants. Hybrid polimorf evil.
At each instant… serenely wild.

Strategy to live how we want: on top of our possibilities, leaving behind our nightmares.
Exceeding the codes and singing in each new musical act.

And an orgasm maintained the essential is that which produces the most pleasure.
To flood the process like a communicated orgy.
To satisfy us in the experience, penetrating, on top of this civilization of flaws, for broadcasting, never consumed.

And nothing is our model: not even the machine, the one of reason or the one of desire. Not even the one of work nor the one of consumption.
Creators and statics, us.
Neither transcendents nor virtues.
Neither from above nor from below.
No half conclusions.
No values.
It is treated as something else.

“On the margin of the resistances of the objects…
…that which remains after the fire and continues burning.“

 

 

 

 

 

 

 

Sú autorretrato 4.jpg
 
 
 

AristocratsBeggars or dogs : the crazy gods.


 
 

 

 

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