15.10. <i>PATHS</i>. Author: Henry Feldman. Technique: charcoal over paper. Dimensions: 15.75 x 11.81 in.
15.7. <i>PATHS</i>. Author: Henry Feldman. Technique: charcoal over paper. Dimensions: 15.75 x 11.81 in.
15.3. <i>PATHS</i>. Author: Henry Feldman. Technique: inks over paper. Dimensions: 15.75 x 11.81 in.
15.12. <i>PATHS</i>. Author: Henry Feldman. Technique: charcoal over paper. Dimensions: 15.75 x 11.81 in.
15.11. <i>PATHS</i>. Author: Henry Feldman. Technique: charcoal over paper. Dimensions: 15.75 x 11.81 in.
15.2. <i>PATHS</i>. Author: Henry Feldman. Technique: inks over paper. Dimensions: 15.75 x 11.81 in.
15.10. <i>PATHS</i>. Author: Henry Feldman. Technique: charcoal over paper. Dimensions: 15.75 x 11.81 in.
15.4. <i>PATHS</i>. Author: Henry Feldman. Technique: inks over paper. Dimensions: 15.75 x 11.81 in.
15.11. <i>PATHS</i>. Author: Henry Feldman. Technique: charcoal over paper. Dimensions: 15.75 x 11.81 in.
15.4. <i>PATHS</i>. Author: Henry Feldman. Technique: inks over paper. Dimensions: 15.75 x 11.81 in.
15.9. <i>PATHS</i>. Author: Henry Feldman. Technique: inks over paper. Dimensions: 15.75 x 11.81 in.
15.2. <i>PATHS</i>. Author: Henry Feldman. Technique: inks over paper. Dimensions: 15.75 x 11.81 in.
15.8. <i>PATHS</i>. Author: Henry Feldman. Technique: inks over paper. Dimensions: 15.75 x 11.81 in.
15.9. <i>PATHS</i>. Author: Henry Feldman. Technique: inks over paper. Dimensions: 15.75 x 11.81 in.
 HENRY FELDMAN



 
The paths are not only for walking on, they are also for touching when they are blackandblue velvet belts over the paper of forever, or when they are slits in high relief from ploughed strokes by the nib of forever.

The old theme, with the old materials… the ink of forever,
For paths flooded in light and illuminated for shadowink that forms them.

The paths are not only for touching and rolling around in… they are also for looking at: landscape in cleardarkness with the most synthetic dialect and a minimal orimentalism,
suitable for binding the pathos.






                  The landscape and the path still exist,
                 because the world that ends outside and begins inside still exists.

 



 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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